Editing Styles: Traditional & Narrative

  • Editing Principles
  • Cause – Effect
  • Action Continuity
  • Construction of Time
  • Construction of Space
  • Eye-Line Matching
  • Graphic Relations
  • Causality Principles:
  • Order of shot composition
  • 1. Jumping from car
  • 2. The car is on fire
  • 3. An explosion erupts from the car
  • 3-2-1: Shots suggests that there is an explosion
  • and then the car bursts into flames; and, as a result,
  • the people have to jump out.
  • 2-1-3: If the sequence is changed to 2-1-3,
  • it appears that a result of the fire
  • Permutations: Multiplication principle of combinatorics – we need to apply to the total permutations. This is a great opportunity to use shorthand factorial notion. 4!=4 divide 3 divide 2 divide 1 = 24
  • Continuity Edit: It combines related shots into a sequence without.
  • Cutaways & Inserts: Cutaway – it takes the audience away from the main action or subject, showing a view outside of the main character’s environment.
  • Insert: any shot with the purpose to focus the views attention to specific detail within a scene. Usually a close up of a close up.
  • Reaction Shot: Demonstrates how the characters within the story respond to the issue at hand. Edit must include these responses to create emotion and make the message clear.
  • Match on Action: Editor cuts from one shot to another and matches the action of the shots. The sequence has a better flow to it if you cut on the action, instead of cutting within pauses. every cut remains ecstatic so that the motion feels fluid.
  • Cross Cut: Also known as parallel editing , cut between two different scenes that are happening at the same time in different spaces. Through the use of cross cutting You can tell two simultaneous stories at once.

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