- Editing Principles
- Cause – Effect
- Action Continuity
- Construction of Time
- Construction of Space
- Eye-Line Matching
- Graphic Relations
- Causality Principles:
- Order of shot composition
- 1. Jumping from car
- 2. The car is on fire
- 3. An explosion erupts from the car
- 3-2-1: Shots suggests that there is an explosion
- and then the car bursts into flames; and, as a result,
- the people have to jump out.
- 2-1-3: If the sequence is changed to 2-1-3,
- it appears that a result of the fire
- Permutations: Multiplication principle of combinatorics – we need to apply to the total permutations. This is a great opportunity to use shorthand factorial notion. 4!=4 divide 3 divide 2 divide 1 = 24
- Continuity Edit: It combines related shots into a sequence without.
- Cutaways & Inserts: Cutaway – it takes the audience away from the main action or subject, showing a view outside of the main character’s environment.
- Insert: any shot with the purpose to focus the views attention to specific detail within a scene. Usually a close up of a close up.
- Reaction Shot: Demonstrates how the characters within the story respond to the issue at hand. Edit must include these responses to create emotion and make the message clear.
- Match on Action: Editor cuts from one shot to another and matches the action of the shots. The sequence has a better flow to it if you cut on the action, instead of cutting within pauses. every cut remains ecstatic so that the motion feels fluid.
- Cross Cut: Also known as parallel editing , cut between two different scenes that are happening at the same time in different spaces. Through the use of cross cutting You can tell two simultaneous stories at once.